Now the upper rooms were shorter; for the galleries took away from these, more than from the lower and the middle, in the building.
Parallel Translations
-
Now the upper rooms were shorter; for the galleries took away from these, more than from the lower and the middle, in the building.
-
Now the upper chambers were shorter: for the galleries were higher than these, than the lower, and than the middlemost of the building.
-
Now the upper chambers were shorter; for the galleries took away from these, more than from the lower and the middlemost, in the building.
Cross-references (1)
Passages linked to Ezekiel 42:5 in the Treasury of Scripture Knowledge, ordered by reader-vote popularity; verse text shown in World English Bible.
- Ezekiel 41:7 The side rooms were wider on the higher levels, because the walls were narrower at the higher levels. Therefore the width of the house increased upward; and so one went up from the lowest level to the highest through the middle level.
Cross-references from openbible.info (CC BY 4.0)
Explain this verse (12 sources)
Historical commentary, presented as a primary source — not an endorsement.
Private notes
Saved on this device only — never synced or sent anywhere.
John Trapp 1656 · Public Domain Eze 42:5 Now the upper chambers [were] shorter: for…
Eze 42:5 Now the upper chambers [were] shorter: for the galleries were higher than these, than the lower, and than the middlemost of the building.
Ver. 5. Now the upper chambers were shorter.] As being a kind of cock lofts, and not so fit for habitation.
John Trapp, A Commentary or Exposition upon All the Books of the Old and New Testament (1647–1656) — public domain. Text from a community e-Sword module.
Matthew Poole 1685 · Public Domain Were shorter: at first view it should seem to…
Were shorter: at first view it should seem to refer to the length, but indeed it refers to the height of the chambers, of which the lowest chamber was highest pitched from the floor to the ceiling; the second lower pitched than the first, yet of greater height than the uppermost between the floor and ceiling.
The galleries were higher than these: possibly, there might be over the uppermost chambers a fiat roof, on which, as on a gallery, they might walk from one end to another, and therefore that floor was much lower than the middle or lowest, according to the rule of architecture, which directs that the upper rooms take not up so much in their height as the lower, that the weight of the timber be not too heavy for the walls..
Matthew Poole's English Annotations on the Holy Bible (1683–1685) — public domain. Text from a community e-Sword/MySword module.
John Gill 1763 · Public Domain Now the upper chambers were shorter,.... The chambers were…
Now the upper chambers were shorter,.... The chambers were in three stories, as in the following verse, one above another; the middlemost were shorter than the lowermost, and the upper shorter than either; just the reverse of the chambers in Eze 41:7, they were not so high from the floor to the ceiling, nor so broad from side to side. The reason follows:
for the galleries were higher than these; or, "ate out of these" (w), "than the lower, and than the middlemost of the building"; the meaning is, that the galleries or balconies in the middlemost and upper chambers were taken, out of them, and so made them lesser than the lower ones, and the upper ones lesser than either; or the posts or pillars, as the word may be rendered, see Eze 42:3, which supported the chambers, took more out of the uppermost than the others, and so made them shorter. This may signify the diversity of gifts and grace, of light and knowledge, and of liberty and comfort, in the churches; and that, as those that are uppermost have most light, they are usually the least, and fewest members in them; who are the few names in Sardis, Rev 3:4, and are generally more straitened, afflicted, reproached, and persecuted.
Read full note →
(w) Keri, "comedebant ex ipsis", Mariana; "demordebant ab illis", Cocceius, Starckius.
John Gill's Exposition of the Whole Bible (1746–1763) — public domain (CC PDM 1.0). Text via the HelloAO Bible API.
John Wesley 1765 · Public Domain Shorter - At first view it should seem to…
Shorter - At first view it should seem to refer to the length, but indeed it refers to the height of the chambers, of which the lowest chamber was highest, the second lower pitched than the first, yet of greater height than the uppermost between the floor and ceiling.
John Wesley, Explanatory Notes Upon the Whole Bible (1754–1765) — public domain. Text via the GEBible commentary corpus.
Joseph Benson 1811 · Public Domain Eze 42:5-7. Now the upper chambers were shorter, &c.…
Eze 42:5-7. Now the upper chambers were shorter, &c. — The two upper stories had balconies standing out of them, the breadth of which was taken out of the rooms themselves, and made them so much the narrower, because the weight of the balconies was not supported by pillars, as the rooms over the cloisters were, but only by the wall. The wall that was without, &c., was fifty cubits — The wall that enclosed these buildings was commensurate with the breadth of one of the cloisters of the outer court, which were fifty cubits broad. These three verses are allowed by the Jewish Rabbis Solomon and Kimchi to be very difficult to be understood.
Joseph Benson's Commentary on the Old and New Testaments (1811–1818) — public domain. Text from a community e-Sword module.
Albert Barnes 1834 · Public Domain Render: “And the upper chambers were” shortened, for galleries…
Render: “And the upper chambers were” shortened, for galleries took off from them, from “the lower” and from “the middle-most, chambers, of the building.” The building rose in terraces, as was usual in Babylonian architecture, and so each of the two upper stories receded from the one below it.
Albert Barnes' Notes on the Bible (1834–1885) — public domain. Text from a community e-Sword/MySword module.
Haydock's Catholic Bible Commentary 1859 · Public Domain Above. The higher stories are not so lofty.
Above. The higher stories are not so lofty.
George Leo Haydock (1774–1849), Haydock's Catholic Family Bible and Commentary, 1859 edition — public domain. Excludes Psalms (Douay-Rheims chapter numbering differs from Protestant) and Deuterocanonical books (Catholic canon only).
Robert Jamieson, A. R. Fausset & David Brown 1871 · Public Domain shorter--that is, the building became narrower as it rose…
shorter--that is, the building became narrower as it rose in height. The chambers were many: so "in My Father's house are many mansions" (Joh 14:2); and besides these there was much "room" still left (compare Luk 14:22). The chambers, though private, were near the temple. Prayer in our chambers is to prepare us for public devotions, and to help us in improving them.
Jamieson, Fausset & Brown — Commentary Critical and Explanatory on the Whole Bible (1871) — public domain (CC PDM 1.0). Text via the HelloAO Bible API.
The Cambridge Bible for Schools and Colleges 1878 · Public Domain 5. The uppermost story was contracted by the gallery,…
5. The uppermost story was contracted by the gallery, so that its area was smaller than that of the other two stories.
The Cambridge Bible for Schools and Colleges (gen. ed. J. J. S. Perowne; Cambridge University Press, 1878–1918) — public domain. Text from a community e-Sword module.
Ellicott's Commentary for English Readers 1878 · Public Domain (5) For the galleries were higher than these.—Translate this…
(5) For the galleries were higher than these.—Translate this verse, And the upper chambers were shortened, because the galleries took off from them (literally, eat of them) in comparison with the lower and the middle [chambers] of the building. The building was in three storeys (Eze_42:6), like the chambers round the Temple, but the gallery is mentioned only in connection with the third (Eze_42:3). As it must have been taken out of the width of the chambers, it made those of the third storey narrower.
A Bible Commentary for English Readers, edited by Charles John Ellicott (1878–1897) — public domain. Text from a community e-Sword module.
The Pulpit Commentary 1880 · Public Domain The rendering of the Revised Version sufficiently explains this…
The rendering of the Revised Version sufficiently explains this otherwise obscure verse, "Now the upper chambers were shorter," or narrower, "for the galleries took away from these;" literally, did eat of them, more than from the lower and the middlemest in the building." In other words, the chambers rose in terrace form, each of the upper stories receding from that below it, as was customary in Babylonian architecture.
The Pulpit Commentary (1880–1919), ed. H.D.M. Spence-Jones & Joseph S. Exell — public domain. Text from a community e-Sword module.
The Biblical Illustrator 1887 · Public Domain The glory of the Lord filled the house.
Eze_42:5-6
The glory of the Lord filled the house.
Read full note →
The glory without the cloud
Though God may forsake His people for a small moment, He will return with everlasting loving kindness. Gods glory filled the house, as it had filled the tabernacle which Moses set up and thee temple of Solomon. Now we do not find that ever the Shekinah did in that manner take possession of the second temple, and therefore this was to have its accomplishment in that glory of the Divine grace which shines so brightly in the Gospel Church, and fills it. Here is no mention of a cloud filling the house as formerly, for we now with open face behold the glory of the Lord, in the face of Christ, and not as of old through the cloud of types. (M. Henry.)
In the uplifted life we are brought into closer fellowshi
p with God:--The Spirit took Ezekiel up and brought him into the inner court, I want you to observe that while the prophet was in the inner court he saw the glory of God and heard God speaking to him. That inner court represents to us the innermost fellowship with God.
I. In the inner court he saw the glory of God. You stand outside some great cathedral, looking at the large stained-glass window that is said to be of such immense value and noted for its exquisite loveliness. You have heard of its beautiful design, of its rich colouring and delicate shadings. But you are disappointed. All you can see is a dim, dull easement, blotched here and there. But that is because you have been judging it from the standpoint of the exterior of the building. In that position you can see no glory. Get into the interior,--into the inner court, and your opinion will suddenly change. The scientist, if an unbeliever, cannot see the glory of God in Nature as can the man who has been brought into the inner court of fellowship with God. The man in the outer court may see a great deal of beauty in natural phenomena, and a wonderful design in the operations and effects of natural laws; but there are beauties in Nature to the believer that far surpass those. Jonathan Edwards, speaking of his own experience of having enjoyed a wonderful sense of Gods pardoning mercy, said, The wisdom, purity, and love of God seemed to appear in everything: in the sun, moon, and stars; in the clouds and blue sky; in the grass, flowers, and trees; in the water and all nature, which greatly fixed my mind. I beheld the sweet glory of God in all these things, and in the meantime sang with a low voice my contemplations of the Creator and Redeemer. As with Nature, so with Revelation. The Bible has been called a glorious temple. When He the Spirit of Truth is come, He will guide you into all truth. There our Lord indicates the faculty of spiritual perception and interpretation. How little of the glory of God we have seen! How seldom, as by a mystic hand, are we led beyond the vestibule into the inner sanctuary of the Most High! There was a time when God, maintaining strict reserve, dwelt in a peculiar way in the Holy of Holies of the ancient Temple. On the mercy seat was the Shekinah--the great symbol of His presence and unapproachable glory--which burned and glowed perpetually in bright and vivid splendour. Before this was hung the closely woven veil. There was no admission save for the High Priest, and he might pass within but once a year. But now we have boldness to enter into the holiest by the blood of Jesus, by a new and living way, which He hath consecrated for us, through the veil, that is to say His flesh. The High Priest of old could not look at the glory without seeing the blood that was sprinkled on the mercy seat. The same blood, the same atonement by which we draw near to God, is the same by which we must remain in communion with God. And, says the prophet Ezekiel, the man stood by me. Jesus Christ, the God-Man, is the glory of God. God, Who commanded the light to shine out of darkness, hath shined in our hearts, to give the light of the knowledge of the glory of God in the face of Jesus Christ. The Holy Spirit is the light of God that we may see Him.
II. While Ezekiel was in the inner court, God spake to him. Few live in the higher condition of perpetual fellowship with the Father and the Son; but it is in that higher condition that the noblest faculties of the soul are brought into use, Habakkuk said, I will stand upon my watch, and set me upon the tower, and will watch to see what He will say unto me (2:1). He would get above the crush and clamour of worldly things. As he who stands upon some eminence of cliff is not disturbed by the murmuring wavelets channelling the sands beneath, so the lifted up spirit, liberated from a narrow, mundane view, is unaffected by the carking cares which annoy and the anxieties which absorb the many,--the frettings which disturb serenity and scare away peace. We want to live above the corroding, cloying, flippant, superficial pleasures of time. We must get into a calm atmosphere,--the sphere of silence,--the unbroken solitudes of the heavenlies, if we are to hear His voice. Professor Smythe was engaged for some weeks in making astronomical observations on the Rock of Teneriffe. When he and his party descended from the height, they were surprised to find that a storm had been raging of which they had heard and seen nothing. (A. W. Welch.)
The Biblical Illustrator, edited by Joseph S. Exell (c. 1880s–1900s) — public domain. Text from a community e-Sword module.