“Arise, and go down to the potter’s house, and there I will cause you to hear my words.”
Parallel Translations
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“Arise, and go down to the potter’s house, and there I will cause you to hear my words.”
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Arise, and go down to the potter’s house, and there I will cause thee to hear my words.
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'Arise, and go down to the potter's house, and there I will cause thee to hear My words.'
Cross-references (8)
Passages linked to Jeremiah 18:2 in the Treasury of Scripture Knowledge, ordered by reader-vote popularity; verse text shown in World English Bible.
- Hebrews 1:1 God, having in the past spoken to the fathers through the prophets at many times and in various ways,
- Acts 9:6 But rise up and enter into the city, then you will be told what you must do.”
- Jeremiah 19:1-2 Thus said Yahweh, “Go, and buy a potter’s earthen container, and take some of the elders of the people, and of the elders of the priests; and go out to the valley of the son of Hinnom, which is by the entry of the gate Harsith, and proclaim there the words that I will tell you.
- Jeremiah 23:22 But if they had stood in my council, then they would have caused my people to hear my words, and would have turned them from their evil way, and from the evil of their doings.
- Isaiah 20:2 at that time Yahweh spoke by Isaiah the son of Amoz, saying, “Go, and loosen the sackcloth from off your waist, and take your sandals from off your feet.” He did so, walking naked and barefoot.
- Jeremiah 13:1 Yahweh said to me, “Go, and buy yourself a linen belt, and put it on your waist, and don’t put it in water.”
- Ezekiel 4:1-5 “You also, son of man, take a tile, and lay it before yourself, and portray on it a city, even Jerusalem. Lay siege against it, build forts against it, and cast up a mound against it. Also set camps against it and plant battering rams against it all around. Take for yourself an iron pan, and set it for a wall of iron between you and the city. Then set your face toward it. It will be besieged, and you shall lay siege against it. This shall be a sign to the house of Israel. “Moreover lie on your left side, and lay the iniquity of the house of Israel on it. According to the number of the days that you shall lie on it, you shall bear their iniquity. For I have appointed the years of their iniquity to be to you a number of days, even three hundred ninety days. So you shall bear the iniquity of the house of Israel.
- Amos 7:7 Thus he showed me and behold, the Lord stood beside a wall made by a plumb line, with a plumb line in his hand.
Cross-references from openbible.info (CC BY 4.0)
Explain this verse (8 sources)
Historical commentary, presented as a primary source — not an endorsement.
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John Trapp 1656 · Public Domain Jer 18:2 Arise, and go down to the potter’s…
Jer 18:2 Arise, and go down to the potter’s house, and there I will cause thee to hear my words.
Ver. 2. Arise, and go down to the potter’s house.] Whether the prophet was to go actually to the potter’s house, or in vision only, it matters not. This we know, that our Saviour did actually wash his disciples’ feet, and at another time set a child in the midst of them when they were striving about the primacy, expounding to them afterwards what he meant; and so it might well be here. It may not be amiss for us to go down oft with Jeremiah to the potter’s house in our meditations - to consider, I mean, our original, Kεραμος ο ανθρωπος; as the "first man, Adam, was of the earth earthy," so are we ex lute lutei, from the clay, clayish.
John Trapp, A Commentary or Exposition upon All the Books of the Old and New Testament (1647–1656) — public domain. Text from a community e-Sword module.
Matthew Poole 1685 · Public Domain It is likely there was but one
It is likely there was but one
potter near the place, or at least that there was one more noted and eminent than the rest, to whose house the Lord here sendeth the prophet, intending there further to tell him his mind what he would have him publish as his mind and will to this people.
Matthew Poole's English Annotations on the Holy Bible (1683–1685) — public domain. Text from a community e-Sword/MySword module.
John Gill 1763 · Public Domain Then I went down to the potter's house,.... He…
Then I went down to the potter's house,.... He did as the Lord commanded him; he was obedient to the divine will; he went to hear what the Lord had to say to him there, and to observe such things, from whence he might learn instruction for himself and others:
and, behold, he wrought a work on the wheels; the Targum renders it "upon a seat"; or "his seats", as Junius and Tremellius; but it signifies not the instrument on which the potter sat while he worked, but that on which he did his work. The Septuagint version renders it, "on stones" (n); and R. Jonah (o) says, that in some countries the potter's instrument is in the likeness of two millstones, the lowermost is the greatest, and the uppermost is the least. Or rather the word may signify "frames", or "moulds" (p), made of stone, in which the potter put his clay, and fashioned it: though I see no reason to depart from the signification of "wheels", which are used in the potter's work, even two of them; and so the word here is of the dual number; though one is more properly called the "wheel", and the other the "lathe", and are described as follows:
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"The "potter's wheel" consists principally in its nut, which is a beam or axis, whose foot or pivot plays perpendicularly on a free stone sole, or bottom; from the four corners atop of this beam, which does not exceed two feet in height, arise four iron bars, called the spokes of the wheel; which forming diagonal lines with the beam, descend, and are fastened at bottom to the edges of a strong wooden circle, four feet in diameter, perfectly like the felloes of a coach wheel; except that it hath neither axis nor radii; and is only joined to the beam, which serves it as an axis, by the iron bars. The top of the nut is flat, of a circular figure, and a foot in diameter. On this is laid a piece of the clay, or earth, to be turned and fashioned. The wheel thus disposed is encompassed with four sides of four different pieces of wood, sustained in a wooden frame: the hind piece, which is that whereon the workman sits, is made a little inclining towards the wheel: on the fore piece are placed the pieces of prepared earth: lastly, the side pieces serve the workman to rest his feet against; and are made inclining, to give him more or less room, according to the size of the vessels to be turned; by his side is a trough of water, wherewith from time to time he wets his hands, to prevent the earth sticking to them.----The potter having prepared his clay or earth, and laid a piece of it suitable to the work he intends on the top of the beam, sits down; his thighs and legs much expanded, and his feet rested on the side pieces, as is most convenient. In this situation he turns the wheel round, till it has got the proper velocity; when, wetting his hands in the water, he bores the cavity of the vessel, continuing to widen it from the middle; and thus turns it into form, turning the wheel afresh, and wetting his hands from time to time.----The potter's "lathe" is also a kind of "wheel", but simpler and slighter than the former; its three chief members are an iron beam or axis, three feet and a half high, and two inches in diameter; a little wooden wheel, all of a piece, an inch thick, and seven or eight in diameter, placed horizontally atop of the beam, and serving to form the vessel on; and another larger wooden wheel, all of a piece, three inches thick, and two or three feet broad, fastened to the same beam at the bottom, parallel to the horizon. The beam, or axis, turns by a pivot at bottom, in an iron stand. The workman gives the motion to the lathe with his feet, by pushing the great wheel alternately with each foot; still giving it a lesser or greater degree of motion, as his work requires (q).''
Thus Jeremiah saw the potter work, or somewhat like this; for, no doubt, pottery, as other things, has been improved since his time.
(n) , Sept. "super lapide, vel typo", Calvin. (o) Apud Kimchi & Ben Melech in loc. (p) "Lapideos typos", Calvin; "super formas", Montanus. (q) Chambers's Cyclopaedia, in the word "Pottery".
John Gill's Exposition of the Whole Bible (1746–1763) — public domain (CC PDM 1.0). Text via the HelloAO Bible API.
Adam Clarke 1810 · Public Domain Verse 2. Go down to the potter's house] By…
Verse 2. Go down to the potter's house] By this similitude God shows the absolute state of dependence on himself in which he has placed mankind. They are as clay in the hands of the potter; and in reference to every thing here below, he can shape their destinies as he pleases. Again; though while under the providential care of God they may go morally astray, and pervert themselves, yet they can be reclaimed by the almighty and all-wise Operator, and become such vessels as seemeth good for him to make. In considering this parable we must take heed that in running parallels we do not destroy the free agency of man, nor disgrace the goodness and supremacy of God.
Adam Clarke's Commentary on the Bible (1810–1826) — public domain. Text from a community e-Sword/MySword module.
Albert Barnes 1834 · Public Domain House - i. e., workshop. The clay-field where the…
House - i. e., workshop. The clay-field where the potters exercised their craft lay to the south of Jerusalem just beyond the valley of Hinnom. Compare Zec 11:13; Mat 27:10.
Albert Barnes' Notes on the Bible (1834–1885) — public domain. Text from a community e-Sword/MySword module.
Haydock's Catholic Bible Commentary 1859 · Public Domain Potter’s. Thus God would shew his dominion over all,…
Potter’s. Thus God would shew his dominion over all, Romans ix. 21.
George Leo Haydock (1774–1849), Haydock's Catholic Family Bible and Commentary, 1859 edition — public domain. Excludes Psalms (Douay-Rheims chapter numbering differs from Protestant) and Deuterocanonical books (Catholic canon only).
Daniel D. Whedon 1874 · Public Domain 2. Go down — Suggesting the location of the…
2. Go down — Suggesting the location of the potter’s house or workshop in some valley near the city. The precise spot was in the valley of Hinnom, south of Jerusalem, the place made famous forever by the prophecy of Zechariah, (Zec_11:13,) the fulfilment of which is recorded by Matthew.
Daniel D. Whedon (gen. ed.), Commentary on the Old and New Testaments (1874–1909) — public domain. Text from a community e-Sword module.
Ellicott's Commentary for English Readers 1878 · Public Domain (2) The potter’s house.—The place was probably identical with…
(2) The potter’s house.—The place was probably identical with the “potter’s field” of Zec_11:13, the well-known spot where the workers in that art carried on their business. The traditional Aceldama, the “potter’s field” of Mat_27:7, is on the southern face of the valley of Hinnom, south of Jerusalem. The soil is still a kind of clay suitable and employed for the same purpose (Ritter, Palestine, iv. 165, Eng. Trans.). The purchase of the field to “bury strangers in” (Mat_27:7) implies, however, that it was looked upon as a piece of waste ground, and that its use had been exhausted.
A Bible Commentary for English Readers, edited by Charles John Ellicott (1878–1897) — public domain. Text from a community e-Sword module.