What was it, you sea, that you fled? You Jordan, that you turned back?
Parallel Translations
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What was it, you sea, that you fled? You Jordan, that you turned back?
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What ailed thee, O thou sea, that thou fleddest? thou Jordan, that thou wast driven back?
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What aileth thee, O thou sea, that thou fleest? thou Jordan, that thou turnest backward?
Cross-references (2)
Passages linked to Psalms 114:5 in the Treasury of Scripture Knowledge, ordered by reader-vote popularity; verse text shown in World English Bible.
- Habakkuk 3:8 Was Yahweh displeased with the rivers? Was your anger against the rivers, or your wrath against the sea, that you rode on your horses, on your chariots of salvation?
- Jeremiah 47:6-7 “ ‘You sword of Yahweh, how long will it be before you are quiet? Put yourself back into your scabbard; rest, and be still.’ “How can you be quiet, since Yahweh has given you a command? Against Ashkelon, and against the seashore, there has he appointed it.”
Cross-references from openbible.info (CC BY 4.0)
Explain this verse (11 sources)
Historical commentary, presented as a primary source — not an endorsement.
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John Calvin 1540 · Public Domain 5 What ailed thee, O sea! The prophet interrogates…
5 What ailed thee, O sea! The prophet interrogates the sea, Jordan, and the mountains, in a familiar and poetical strain, as lately he ascribed to them a sense and reverence for God’s power. And, by these similitudes, he very sharply reproves the insensibility of those persons, who do not employ the intelligence which God has given them in the contemplation of his works. The appearance which he tells us the sea assumed, is more than sufficient to condemn their blindness. It could not be dried up, the river Jordan could not roll back its waters, had not God, by his invisible agency, constrained them to render obedience to his command. The words are indeed directed to the sea, the Jordan, and the mountains, but they are more immediately addressed to us, that every one of us, on self-reflection, may carefully and attentively weigh this matter. And, therefore, as often as we meet with these words, let each of us reiterate the sentiment, — “Such a change cannot be attributed to nature, and to subordinate causes, but the hand of God is manifest here.” The figure drawn from the lambs and rams would appear to be inferior to the magnitude of the subject. But it was the prophet’s intention to express in the homeliest way the incredible manner in which God, on these occasions, displayed his power. The stability of the earth being, as it were, founded on the mountains, what connection can they have with rams and lambs, that they should be agitated, skipping hither and thither? In speaking in this homely style, he does not mean to detract from the greatness of the miracle, but more forcibly to engrave these extraordinary tokens of God’s power on the illiterate.
John Calvin's Commentaries (1540-1563) — public domain. Text from the Calvin Translation Society English edition (1840s-50s) via the Christian Classics Ethereal Library (ccel.org). Calvin's coverage is partial (roughly two-thirds of the Bible); uncommented books and verses are honest gaps, never fabricated. The 19th-century editor's footnotes and remarks are omitted so the notes are faithfully Calvin's own voice.
John Trapp 1656 · Public Domain Psa 114:5 What [ailed] thee, O thou sea, that…
Psa 114:5 What [ailed] thee, O thou sea, that thou fleddest? thou Jordan, [that] thou wast driven back?
Ver. 5. What ailed thee, O thou sea?] Or, what came to thee? can there any natural reason be given, or was it God’s powerful presence only that caused you to run retrograde? Atheists and unbelievers will search the devil’s skull to find out something whereby they may elevate God’s great works, and elude his arguments; as Pharaoh sat not down under the miracle, but sent for the magicians, and hardened his own heart.
John Trapp, A Commentary or Exposition upon All the Books of the Old and New Testament (1647–1656) — public domain. Text from a community e-Sword module.
Matthew Poole 1685 · Public Domain What was the cause of this unusual motion? Such…
What was the cause of this unusual motion? Such speeches directed to senseless creatures are very frequent, both in Scripture and in other authors, and especially in poetical writings, such as this is.
Matthew Poole's English Annotations on the Holy Bible (1683–1685) — public domain. Text from a community e-Sword/MySword module.
John Gill 1763 · Public Domain What ailed thee, O thou sea, that thou fleddest?....…
What ailed thee, O thou sea, that thou fleddest?.... What was the matter with thee? what appeared to thee? what didst thou see? what didst thou feel, which caused thee to flee in such haste?
Thou Jordan, that thou wast driven back? what is the meaning that thou didst not continue to flow as usual? what was it that stopped thy flowing tide? that cut off thy waters? that drove them back as fast or faster than they came?
John Gill's Exposition of the Whole Bible (1746–1763) — public domain (CC PDM 1.0). Text via the HelloAO Bible API.
Adam Clarke 1810 · Public Domain Verse 5. What ailed thee, O thou sea] The…
Verse 5. What ailed thee, O thou sea] The original is very abrupt; and the prosopopoeia, or personification very fine and expressive: -
What to thee, O sea, that thou fleddest away!
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O Jordan, that thou didst roll back!
Ye mountains, that ye leaped like rams!
And ye hills, like the young of the fold!
After these very sublime interrogations, God appears; and the psalmist proceeds as if answering his own questions: -
At the appearance of the Lord, O earth, thou
didst tremble;
At the appearance of the strong God of Jacob.
Converting the rock into a pool of waters;
The granite into water springs.
I know the present Hebrew text reads חולי chuli, "tremble thou," in the imperative; but almost all the Versions understood the word in past tense, and read as if the psalmist was answering his own questions, as stated in the translation above. "Tremble thou, O earth." As if he had said, Thou mayest well tremble, O earth, at the presence of the Lord, at the presence of the God of Jacob.
Adam Clarke's Commentary on the Bible (1810–1826) — public domain. Text from a community e-Sword/MySword module.
Albert Barnes 1834 · Public Domain What ailed thee, O thou sea, that thou fleddest?...…
What ailed thee, O thou sea, that thou fleddest?... - literally, “What to thee, O sea,” etc. That is, What influenced thee - what alarmed thee - what put thee into such fear, and caused such consternation? Instead of stating the cause or reason why they were thus thrown into dismay, the psalmist uses the language of surprise, as if these inanimate objects had been smitten with sudden terror, and as if it were proper to ask an explanation from themselves in regard to conduct that seemed so strange.
Albert Barnes' Notes on the Bible (1834–1885) — public domain. Text from a community e-Sword/MySword module.
Daniel D. Whedon 1874 · Public Domain 5. O thou sea—The apostrophe is bold and beautiful.…
5. O thou sea—The apostrophe is bold and beautiful. For other specimens of this figure see Deu_32:1; 2Sa_1:21
Daniel D. Whedon (gen. ed.), Commentary on the Old and New Testaments (1874–1909) — public domain. Text from a community e-Sword module.
The Cambridge Bible for Schools and Colleges 1878 · Public Domain 5, 6. The past becomes present to the poet’s…
5, 6. The past becomes present to the poet’s mind, and he challenges Nature to explain its behaviour.
The A.V. misses the vividness of the Hebrew tenses. Render:
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What aileth thee, thou sea, that thou fleest?
Thou Jordan, that thou turnest back?
Ye mountains, that ye skip like rams?
Ye hills, like young sheep?
The Cambridge Bible for Schools and Colleges (gen. ed. J. J. S. Perowne; Cambridge University Press, 1878–1918) — public domain. Text from a community e-Sword module.
The Pulpit Commentary 1880 · Public Domain Vers. 5, 6. What ailed thee, O thou sea,…
Vers. 5, 6. What ailed thee, O thou sea, that thou filledest thou Jordan, that thou wast driven back t. ye mountains, that ye skipped like rams; and ye little hills, like lambs? Most poetically, the psalmist apostrophizes the sea, the Jordan, the mountains, and the lesser hills, inquiring of them for what reason they had forsaken their nature and done such strange things; or rather, addressing them as present, and as if the scenes were being enacted before his eyes, and asking why they are so strangely employed what is causing the commotion and disturbance (see the Revised Version, where the present tense is used throughout the two verses).
The Pulpit Commentary (1880–1919), ed. H.D.M. Spence-Jones & Joseph S. Exell — public domain. Text from a community e-Sword module.
Charles H. Spurgeon 1885 · Public Domain Ver. 5. What ailed thee, O thou sea? Wert…
Ver. 5. What ailed thee, O thou sea? Wert thou terribly afraid? Did thy strength fail thee? Did thy very heart dry up?
What ailed thee, O thou sea, that thou fleddest? Thou wert neighbour to the power of Pharaoh, but thou didst never fear his hosts; stormy wind could never prevail against thee so as to divide thee in twain; but when the way of the Lord was in thy great waters thou was seized with affright, and thou becamest a fugitive from before him.
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Thou Jordan, that thou wast driven back? What ailed thee, O quick descending river? Thy fountains had not dried up, neither had a chasm opened to engulf thee! The near approach of Israel and her God sufficed to make thee retrace thy steps. What aileth all our enemies that they fly when the Lord is on our side? What aileth hell itself that it is utterly routed when Jesus lifts up a standard against it? "Fear took hold upon them there, "for fear of HIM the stoutest hearted did quake, and became as dead men.
Ver. 5.
Fly where thou wilt, O Sea!
And Jordan's current cease!
Jordan, there is no need of thee,
For at God's word, whenever he please,
The rocks shall weep new waters forth instead of these.
Abraham Cowley.
Ver. 5-6. A singular animation and an almost dramatic force are given to the poem by the beautiful apostrophe in verses 5, 6, and the effect of this is heightened in a remarkable degree by the use of the present tenses. The awe and the trembling of nature are a spectacle on which the poet is looking. The parted sea through which Israel walks as on dry land, the rushing Jordan arrested in its course, the granite cliffs of Sinai shaken to their basehe sees it all, and asks in wonder what it means? J. J. Stewart Perowne.
Ver. 5-6. This questioning teaches us that we should ourselves consider and inquire concerning the reason of those things, which we see to have been done in a wondrous way, out of the course of nature. There are signs in the sun, moon, stars, heaven, etc., concerning which Christ has spoken. Let us inquire the reason why they are, that we be not stupid and inaccurate spectators. The things which are done miraculously do speak: and they can give answer why they are done. Nay, rather, portents, signs, earthquakes, extraordinary appearances are loud speaking, and they declare from themselves what they are: namely, that they are prophetic of the anger and future vengeance of God. Such inquiry as this is not prying curiosity, but is pious and useful, working to this end, that we become observant of the judgments of God, with which he visits this world, and yield ourselves to his grace, and so we escape the coming vengeance. Wolfgang Musculus.
Ver. 5-6.
What ails thee, sea, to part,
Thee Jordan, back to start?
Ye mountains, like the rams to leap,
Ye little hills, like sheep? John Keble.
Psalms 114:6*
Charles H. Spurgeon's The Treasury of David (1869–1885) — public domain. Psalms only. Text from a community e-Sword/MySword module.
unfoldingWord translationNotes 2017 · CC BY-SA 4.0 General Information:
General Information:
Verses 5-6 contain four rhetorical questions. The expected answer to each question is found in verse 7, "because of the presence of the Lord." (See: Rhetorical Question)
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skip like rams ... skip like lambs
The writer speaks of the mountains and hills as if they are alive. He is probably speaking of an earthquake when he describes their fear at the presence of Yahweh as if they were jumping like rams and lambs. See how you translated similar phrases in Psalms 114:3-4. AT: "shake like jumping rams ... shake like jumping lambs" (See: Personification and Metaphor)
Tremble, earth, before the Lord, at the presence of the God of Jacob
The last two phrases are parallel. The verb may be supplied in the second line. AT: "Tremble, earth, before the Lord, tremble at the presence of the God of Jacob" (See: Parallelism and Ellipsis)
Tremble, earth
Possible meanings are 1) the writer is speaking to the earth as if it were a person and commands it to tremble with fear before God or 2) the word "earth" is a metonym for those who live on the earth. AT: "Tremble, everyone one earth" (See: Personification and Metonymy)
translationWords
earth
lord
God
Jacob
unfoldingWord translationNotes — © Distant Shores Media and the Door43 World Missions Community, licensed CC BY-SA 4.0. Source: git.door43.org/Door43/en_tn.