Psalms 119:176

Before leaving this divine poem, to the close of which we halve now arrived, there are a few remarks which may be suggested upon a review of the whole. In the first place, it is worthy of observation, that its alphabetical structure has been so completely preserved, that not one of the initial letters in it has been lost, notwithstanding its length and great antiquity, being older by many ages than any of the celebrated writings of Greece and Rome. In the second place, the wonderful perfection and yet connection of its various parts is also deserving of attention. Wherever we begin we seem to be at the commencement, and wherever we stop the sense is complete; and yet the poem does not consist of detached sentences, but is a whole consisting of many parts, all of which seem necessary to its perfection. In the third place, the numerous apparent repetitions which occur in it ought not to excite the prejudice of the reader. Although the frequent recurrence of the same words may not have an effect altogether agreeable upon fastidious ears, yet these words are so connected with others, as to bring out new meanings and to suggest new trains of thought. Hence the intelligent and pious student, instead of finding the sentences tautological, will discover new sentiments welling out to preserve his attention and to keep alive the flame of devotion. Walford, after observing that some readers may think this poem singularly marked by frequent repetitions, adds — “It is not my intention to write an essay on this theme; and I shall therefore briefly say, that the implicitly of ancient writings is one of their greatest charms. If the repetitions of Psalm 119 create in it a blemish, it is one which the royal author of it shares in common with the most illustrious poet of Pagan antiquity; and that if simplicity and repetition are to be objected against David’s Ode, the author of the Iliad and the Odyssey will hardly escape condemnation.” In fine, the attentive reader must have observed the striking manner in which this composition exhibits the workings of genuine godliness in the regenerated soul. “I know of no part of the Holy Scriptures,” remarks that eminent man, Jonathan Edwards, “where the nature and evidences of true and sincere godliness are so fully and largely insisted on and delineated as in Psalm 119. The Psalmist declares his design in the first verses of the Psalm, keeps his eye on it all along, and pursues it to the end. The excellency of holiness is represented as the immediate object of a spiritual taste and delight. God’s law — that grand expression and emanation of the holiness of God’s nature and prescription of holiness to the creature — is all along represented as the great object of the love, the complacence, and the rejoicing of the gracious nature, which prizes God’s commands ‘above gold, yea, the finest gold,’ and to which they are ‘sweeter than honey and the honey-comb.’” — Edwards on the Religious Affections, part 3 section 3.