Back to Psalms 139

Psalms 139:15

My frame wasn’t hidden from you, when I was made in secret, woven together in the depths of the earth.

World English Bible · Public Domain

Parallel Translations

  • WEB World English Bible

    My frame wasn’t hidden from you, when I was made in secret, woven together in the depths of the earth.

  • KJV King James Version

    My substance was not hid from thee, when I was made in secret, and curiously wrought in the lowest parts of the earth.

  • JPS JPS Tanakh (1917)

    My frame was not hidden from Thee, when I was made in secret, and curiously wrought in the lowest parts of the earth.

View more translations →

Cross-references (4)

Passages linked to Psalms 139:15 in the Treasury of Scripture Knowledge, ordered by reader-vote popularity; verse text shown in World English Bible.

  • Ecclesiastes 11:5 As you don’t know what is the way of the wind, nor how the bones grow in the womb of her who is with child; even so you don’t know the work of God who does all.
  • Psalms 139:13 For you formed my inmost being. You knit me together in my mother’s womb.
  • Job 10:8-11 “ ‘Your hands have framed me and fashioned me altogether, yet you destroy me. Remember, I beg you, that you have fashioned me as clay. Will you bring me into dust again? Haven’t you poured me out like milk, and curdled me like cheese? You have clothed me with skin and flesh, and knit me together with bones and sinews.
  • Psalms 63:9 But those who seek my soul to destroy it shall go into the lower parts of the earth.

Cross-references from openbible.info (CC BY 4.0)

↑ Top

Explain this verse (15 sources)

Historical commentary, presented as a primary source — not an endorsement.

John Calvin 1540 · Public Domain 15. My strength was not hid from thee That…

15. My strength was not hid from thee That nothing is hid from God David now begins to prove from the way in which man is at first formed, and points out God’s superiority to other artificers in this, that while they must have their work set before their eyes before they can form it, he fashioned us in our mother’s womb. It is of little importance whether we read my strength or my bone, though I prefer the latter reading. He next likens the womb of the mother to the lowest caverns or recesses of the earth. Should an artizan intend commencing a work in some dark cave where there was no light to assist him, how would he set his hand to it? in what way would he proceed? and what kind of workmanship would it prove? “The figure,” says Walford, “is derived from the darkness and obscurity of caverns and other recesses of the earth.”

“רקם is ‘to embroider.’” — Phillips. Mant translates the verse thus: —

Read full note →

“By all, but not by thee unknown, My substance grew, and, o’er it thrown, The fine-wrought web from nature’s loom, All wove in secret and in gloom.”

And after observing that the foetus is gradually formed and matured for the birth, like plants and flowers under ground, he adds — “The process is compared to that in a piece of work wrought with a needle, or fashioned in the loom: which, with all its beautiful variety of color, and proportion of figure, ariseth by degrees to perfection, under the hand of the artist, framed according to a pattern lying before him, from a rude mass of silk, or other materials. Thus, by the power and wisdom of God, and after a plan delineated in his book, is a shapeless mass wrought up into the most curious texture of nerves, veins, arteries, bones, muscles, membranes, and skin, most skilfully interwoven and connected with each other, until it becometh a body harmoniously diversified with all the limbs and lineaments of a man, not one of which at first appeared, any more than the figures were to be seen in the ball of silk. But then, which is the chief thing here insisted on by the Psalmist, whereas the human artificer must have the clearest light whereby to accomplish his task, the divine work-master seeth in secret, and effecteth all his wonders within the dark and narrow confines of the womb.” Bishop Lowth supposes that the full force and beauty of the metaphor in this passage will not be understood, unless it is perceived that the Psalmist alludes to the art of embroidery as consecrated by the Jews to sacred purposes, in decorating the garments of the priests and the curtains at the entrance of the tabernacle. “In that most perfect ode, Psalm 139,” says he, “which celebrates the immensity of the omnipresent Deity, and the wisdom of the divine artificer in forming the human body, the author uses a metaphor derived from the most subtle art of Phrygian workmen:

‘When I was formed in the secret place, When I was wrought with a needle in the depths of the earth.

Whoever observes this, (in truth he will not be able to observe it in the common translations,)and at the same time reflects upon the wonderful mechanism of the human body, the various amplifications of the veins, arteries, fibres, and membranes; the ‘indescribable texture’ of the whole fabric; may indeed feel the beauty and gracefulness of this well-adapted metaphor, but will miss much of its force and sublimity, unless he be apprised that the art of designing in needle-work was wholly dedicated to the use of the sanctuary, and by a direct precept of the divine law, chiefly employed in furnishing’ a part of the sacerdotal habits, and the veils for the entrance of the tabernacle. (Exodus 28:39; Exodus 26:36; Exodus 27:16; compare Ezekiel 16:10, 13, 18.) Thus the poet compares the wisdom of the divine artificer with the most estimable of human arts — that art which was dignified by being consecrated altogether to the use of religion; and the workmanship of which was so exquisite, that even the sacred writings seem to attribute it to a supernatural guidance. See Exodus 35:30-35 ” — Lowth’s Lectures on the Sacred Poetry of the Hebrews, volume 1.

“Que sera-ce donc quand on viendra a contempler par le menu chacune partie?” — Fr.

John Calvin's Commentaries (1540-1563) — public domain. Text from the Calvin Translation Society English edition (1840s-50s) via the Christian Classics Ethereal Library (ccel.org). Calvin's coverage is partial (roughly two-thirds of the Bible); uncommented books and verses are honest gaps, never fabricated. The 19th-century editor's footnotes and remarks are omitted so the notes are faithfully Calvin's own voice.

Geneva Bible translators 1599 · Public Domain That is, in my mother’s womb: which he compareth…
John Trapp 1656 · Public Domain Psa 139:15 My substance was not hid from thee,…
Matthew Poole 1685 · Public Domain My substance; or, My bone, as the LXX. and…
John Gill 1763 · Public Domain Thine eyes did see my substance, yet being unperfect,....…
Adam Clarke 1810 · Public Domain Verse 15. My substance was not hid from thee]…
Joseph Benson 1811 · Public Domain Psa 139:15. My substance was not hid from thee…
Albert Barnes 1834 · Public Domain My substance was not hid from thee - Thou…
Daniel D. Whedon 1874 · Public Domain 15, 16. Substance—Literally, My strength; referring to the bones,…
The Cambridge Bible for Schools and Colleges 1878 · Public Domain 15. my substance] R.V. my frame, lit. my bones…
Ellicott's Commentary for English Readers 1878 · Public Domain (15) Substance.—Aquila “bones,” LXX. and Vulg. “bone,” Symmachus “strength.”…
The Pulpit Commentary 1880 · Public Domain My substance was not hid from thee, when I…
Charles H. Spurgeon 1885 · Public Domain Ver. 15. My substance was not hid from thee.…
The Biblical Illustrator 1887 · Public Domain My substance was not hid from Thee, when I…
unfoldingWord translationNotes 2017 · CC BY-SA 4.0 intricately made

↑ Top

Share