The voice of harpists, minstrels, flute players, and trumpeters will be heard no more at all in you. No craftsman, of whatever craft, will be found any more at all in you. The sound of a mill will be heard no more at all in you.
Parallel Translations
-
The voice of harpists, minstrels, flute players, and trumpeters will be heard no more at all in you. No craftsman, of whatever craft, will be found any more at all in you. The sound of a mill will be heard no more at all in you.
-
And the voyce of harpers and musicions and of pypers and trompetters shalbe herde no more in the: and no craftes man of whatsoever craft he be shalbe founde eny more in the. and the soude of a myll shalbe herde no more in the
-
And the voyce of harpers, and musicians, and of pipers, and trumpetters shalbe heard no more in thee, and no craftesman, of whatsoeuer craft he be, shall be found any more in thee: and the sound of a milstone shalbe heard no more in thee.
Cross-references (7)
Passages linked to Revelation 18:22 in the Treasury of Scripture Knowledge, ordered by reader-vote popularity; verse text shown in World English Bible.
- Ezekiel 26:13 I will cause the noise of your songs to cease. The sound of your harps won’t be heard any more.
- Jeremiah 25:10 Moreover I will take from them the voice of mirth and the voice of gladness, the voice of the bridegroom and the voice of the bride, the sound of the millstones, and the light of the lamp.
- Jeremiah 7:34 Then I will cause to cease from the cities of Judah, and from the streets of Jerusalem, the voice of mirth and the voice of gladness, the voice of the bridegroom and the voice of the bride; for the land will become a waste.”
- Jeremiah 16:9 For Yahweh of Armies, the God of Israel says: “Behold, I will cause to cease out of this place, before your eyes and in your days, the voice of mirth and the voice of gladness, the voice of the bridegroom and the voice of the bride.
- Isaiah 24:8-9 The mirth of tambourines ceases. The sound of those who rejoice ends. The joy of the harp ceases. They will not drink wine with a song. Strong drink will be bitter to those who drink it.
- Ecclesiastes 12:4 and the doors shall be shut in the street; when the sound of the grinding is low, and one shall rise up at the voice of a bird, and all the daughters of music shall be brought low;
- Jeremiah 33:11 the voice of joy and the voice of gladness, the voice of the bridegroom and the voice of the bride, the voice of those who say, ‘Give thanks to Yahweh of Armies, for Yahweh is good, for his loving kindness endures forever;’ who bring thanksgiving into Yahweh’s house. For I will cause the captivity of the land to be reversed as at the first,” says Yahweh.
Cross-references from openbible.info (CC BY 4.0)
Explain this verse (15 sources)
Historical commentary, presented as a primary source — not an endorsement.
Private notes
Saved on this device only — never synced or sent anywhere.
Geneva Bible translators 1599 · Public Domain The events are two, the one of them opposite…
The events are two, the one of them opposite unto the other for amplification sake. There shall be, saith he, in Babylon no mirth nor joy at all, in this and the next verse, but all heavy and lamentable things from the bloody slaughters of the righteous and the vengeance of God coming upon it for the same.
Geneva Bible (1599) marginal notes — public domain.
John Trapp 1656 · Public Domain 22 And the voice of harpers, and musicians, and…
22 And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee;
Ver. 22. And the voice of harpers, &c.] Thine organs and sackbuts, thy chanting and churchmusic, shall cease.
Read full note →
And the sound of a millstone] Anciently they used handmills, which did make a great noise in the cities, as Diodate here noteth.
John Trapp, A Commentary or Exposition upon All the Books of the Old and New Testament (1647–1656) — public domain. Text from a community e-Sword module.
Matthew Poole 1685 · Public Domain And the voice of harpers, &c., shall be heard…
And the voice of harpers, &c., shall be heard no more at all in thee; all these seem to me but the expression of an utter ruin and desolation, by various phrases and expressions; they should have no more occasion of mirth, nor any more business done in their city. If any will understand these expressions, of their organs, and other musical instruments used in worship, and of spiritual craftsmen, I shall not contradict it; but I think it more proper to understand the words more largely.
For thy merchants were the great men of the earth; for by thy sorceries were all nations deceived: though thou hast had a trade with great men, and by thy enchanted cups of the wine of thy fornication hast intoxicated many in all nations, yet thou shalt use that trade no more; the nations shall be deceived no more by thee; here shall be an end of thee. And one thing that brings thee to thy ruin, shall be thy seducing others to idolatry, so as they have seemed to reasonable men to be bewitched by thee.
Matthew Poole's English Annotations on the Holy Bible (1683–1685) — public domain. Text from a community e-Sword/MySword module.
John Gill 1763 · Public Domain And the light of a candle shall shine no…
And the light of a candle shall shine no more at all in thee,.... Either for common use, or at feasts, or at marriages, which being kept at night, required candies, lamps, or torches; this shows that Babylon, or Rome, shall be deprived of everything, even of the least thing that is comfortable in life; see Jer 25:10 this will be a just punishment upon her for her abuse of this blessing of life; so where wax candles in great numbers have been burning in the daytime, there will not be so much as a single candle to give light in the night; and where candles have been lighted up for the dead, there will not be one for the use of the living:
and the voice of the bridegroom and of the bride shall be heard no more at all in thee: there will be no marrying, nor giving in marriage; no procreation of children, or propagation of posterity, in this place; which denotes the utter extirpation of the inhabitants of it; the phrases are taken from Jer 7:34 Jer 25:10 and this will be in righteous retaliation for the prohibition of marriage; which God has instituted, and is honourable, Ti1 4:2 the reasons of Babylon's destruction follow:
Read full note →
for thy merchants were the great men of the earth: in allusion to the merchants of Tyre, said to be princes, Isa 23:8 for by trading and dealing in the wares and merchandise of Rome, persons of mean extract, and of very low circumstances of life, have grown exceeding rich, and have equalled the princes of the earth; as for instance, Cardinal Wolsey here in England, a butcher's son at Ipswich; and on the other hand, the princes and great men of the earth have become Rome's merchants, and have thought it an high honour to get a cardinal's hat, as the Cardinals Albertus duke of Austria, Bourbon, Pool, and others, mentioned by Brightman:
for by thy sorceries were all nations deceived; meaning her false doctrines, traditions, idolatry, superstition, and will worship, with which, as another Jezebel, she has bewitched, allured, and deceived the nations of the empire, and the kings thereof, Rev 18:3.
John Gill's Exposition of the Whole Bible (1746–1763) — public domain (CC PDM 1.0). Text via the HelloAO Bible API.
John Wesley 1765 · Public Domain And the voice of harpers - Players on stringed…
And the voice of harpers - Players on stringed instruments. And musicians - Skilful singers in particular. And pipers - Who played on flutes, chiefly on mournful, whereas trumpeters played on joyful, occasions. Shall be heard no more in thee; and no artificer - Arts of every kind, particularly music, sculpture, painting, and statuary, were there carried to their greatest height. No, nor even the sound of a mill-stone shall be heard any more in thee - Not only the arts that adorn life, but even those employments without which it cannot subsist, will cease from thee forever. All these expressions denote absolute and eternal desolation. The voice of harpers - Music was the entertainment of the rich and great; trade, the business of men of middle rank; preparing bread and the necessaries of life, the employment of the lowest people: marriages, in which lamps and songs were known ceremonies, are the means of peopling cities, as new births supply the place of those that die. The desolation of Rome is therefore described in such a manner, as to show that neither rich nor poor, neither persons of middle rank, nor those of the lowest condition, should be able to live there any more. Neither shall it be repeopled by new marriages, but remain desolate and uninhabited forever.
John Wesley, Explanatory Notes Upon the Whole Bible (1754–1765) — public domain. Text via the GEBible commentary corpus.
Adam Clarke 1810 · Public Domain Verse 22. The voice of harpers, &c.] This seems…
Verse 22. The voice of harpers, &c.] This seems to indicate not only a total destruction of influence, &c., but also of being. It seems as if this city was to be swallowed up by an earthquake, or burnt up by fire from heaven.
Adam Clarke's Commentary on the Bible (1810–1826) — public domain. Text from a community e-Sword/MySword module.
Joseph Benson 1811 · Public Domain Rev 18:22-24. The voice of harpers — Players on…
Rev 18:22-24. The voice of harpers — Players on stringed instruments; and musicians — Skilful singers in particular; and pipers — Who played on flutes, chiefly on mournful, whereas trumpeters played on joyful occasions; shall be heard no more at all in thee; and no craftsman — Greek, τεχνιτης ωασης τεχνης, no artificer, of whatever art. Arts of every kind, particularly music, sculpture, painting, and statuary, were there carried to their greatest height. No, nor even the sound of a mill-stone shall be heard any more in thee — Not only the arts that adorn life, but even those employments without which it cannot subsist, will cease from thee for ever: all which expressions denote absolute and eternal desolation. There shall be no more musicians for the entertainment of the rich and great; no more tradesmen or artificers to employ those of the middle ranks, and to furnish the conveniences of life; no more servants or slaves to grind at the mill, prepare bread, and supply the necessaries of life. Nay, there shall be no more lights, no more bridal songs: that is, no more marriages, in which lamps and songs were known ceremonies; and therefore the city shall never be peopled again, but shall remain depopulated and desolate for ever. The desolation of Rome is therefore described in such a manner as to show that neither rich nor poor, neither persons of middle rank nor those of the lowest condition, should be able to live there any more. For thy merchants were the great men of the earth — A circumstance which was in itself indifferent, and yet led them into pride, luxury and numberless other sins. For by thy sorceries were all nations deceived — That is, poisoned by thy pernicious practices. So that the reasons assigned for her utter desolation are her pride and luxury, her superstition and idolatry, with various other vices; and especially her cruel persecutions of God’s saints and servants: for it is added, In her was found the blood of prophets, &c. — These seem to be the words of St. John: and of all that were slain upon the earth — As if he had said, Her punishment shall be as severe and exemplary as if she had been guilty of all the persecutions that ever were upon account of religion; for by her conduct she hath approved, and imitated, and surpassed them all. Certainly there is no city under the sun which has so clear a title to general blood-guiltiness as Rome. The guilt of the blood shed under the heathen emperors was not removed under the popes, but hugely multiplied. Nor is Rome accountable only for what hath been shed in the city, but for that shed in all the earth. For at Rome, under the popes, as well as under the heathen emperors, were the bloody orders and edicts given: and wherever the blood of holy men was shed, there were the grand rejoicings for it. And what immense quantities of blood have been shed by her agents! Charles IX. of France, in his letter to Gregory XIII., boasts that in, and not long after, the massacre of Paris, he had destroyed seventy thousand Huguenots. Some have computed that, from the year 1518 to 1548, fifteen millions of Protestants perished by war and the inquisition. This may be overcharged; but certainly the number of them in those thirty years, as well as since, is almost incredible. To these we may add innumerable martyrs in ancient, middle, and late ages, — in Bohemia, Germany, Holland, France, England, Ireland, and many other parts of Europe, Africa, and Asia.
Now this tyrannical cruelty exercised against God’s saints, apostles, and prophets being considered, we cannot wonder that the sentence of so terrible a desolation and destruction should be passed on this persecuting city. But the reader must observe, Rome hath never yet been depopulated and desolated in this manner. She hath been taken indeed and plundered by Alaric, king of the Visigoths, in the year 410; by Genseric, king of the Vandals, in the year 455; by Totilas, king of the Ostrogoths, in the year 546; and by others since that time: but yet she is still standing and flourishing, and is honoured by many nations as the metropolis of the Christian world; she still resounds with singers and musicians; she still excels in arts, which serve to pomp and luxury; she still abounds with candles, and lamps, and torches, burning even by day as well as by night: and consequently this prophecy hath not yet been, but remaineth still to be, fulfilled.
Joseph Benson's Commentary on the Old and New Testaments (1811–1818) — public domain. Text from a community e-Sword module.
Albert Barnes 1834 · Public Domain And the voice of harpers - Those who play…
And the voice of harpers - Those who play on the harp. This was usually accompanied with singing. The idea, in this verse and the following, is substantially the same as in the previous parts of the chapter, that the mystical Babylon - papal Rome - would be brought to utter desolation. This thought is here exhibited under another form - that all which constituted festivity, joy, and amusement, and all that indicated thrift and prosperity, would disappear. Of course, in a great and “fun” city, there would be all kinds of music; and when it is said that this would be heard there no more it is a most striking image of utter desolation.
And musicians - Musicians in general; but perhaps here singers, as distinguished from those who played on instruments.
Read full note →
And of pipers - Those who played on pipes or flutes. See the 1Co 14:7 note; Mat 11:17 note.
And trumpeters - Trumpets were common instruments of music, employed on festival occasions, in war, and in worship. Only the principal instruments of music are mentioned here, as representatives of the rest. The general idea is, that the sound of music, as an indication of festivity and joy, would cease.
Shall be heard no more at all in thee - It would become utterly and permanently desolate.
And no craftsman, of whatsoever craft - That is, artificers of all kinds would cease to ply their trades there. The word used here - τεχνίτης technitēs - would include all artisans or mechanics, all who were engaged in any kind of trade or craft. The meaning here is, that all these would disappear, an image, of course, of utter decay.
And the sound of a millstone shall be heard no more - Taylor (Frag. to Calmet, Dictionary vol. iv. p. 346) supposes that this may refer not so much to the rattle of the mill as to the voice of singing, which usually accompanied grinding. The sound of a mill is cheerful, and indicates prosperity; its ceasing is an image of decline.
Albert Barnes' Notes on the Bible (1834–1885) — public domain. Text from a community e-Sword/MySword module.
Robert Jamieson, A. R. Fausset & David Brown 1871 · Public Domain pipers--flute players. "Musicians," painters and sculptors, have desecrated their…
pipers--flute players. "Musicians," painters and sculptors, have desecrated their art to lend fascination to the sensuous worship of corrupt Christendom.
craftsman--artisan.
Jamieson, Fausset & Brown — Commentary Critical and Explanatory on the Whole Bible (1871) — public domain (CC PDM 1.0). Text via the HelloAO Bible API.
Daniel D. Whedon 1874 · Public Domain 22. The three silences—of music, of manufacture, and of…
22. The three silences—of music, of manufacture, and of sustenance. Harpers, on the chords; musicians, vocalists; pipers, flute-players; trumpeters, with rousing martial music.
Craftsman… craft he be— Literally, the artisan of every art.
Read full note →
Sound—Greek, voice of the personified millstone.
Daniel D. Whedon (gen. ed.), Commentary on the Old and New Testaments (1874–1909) — public domain. Text from a community e-Sword module.
The Cambridge Bible for Schools and Colleges 1878 · Public Domain 22. the voice of harpers &c.] Isa_14:11, of Babylon,…
22. the voice of harpers &c.] Isa_14:11, of Babylon, Eze_26:13, of Tyre, are certainly parallels: compare also Isa_24:8, which is as similar as the passages of Jeremiah referred to on the following passage, and apparently, like them, spoken of the unfaithful Jerusalem.
the sound of a millstone &c.] Jer_25:10.
The Cambridge Bible for Schools and Colleges (gen. ed. J. J. S. Perowne; Cambridge University Press, 1878–1918) — public domain. Text from a community e-Sword module.
Ellicott's Commentary for English Readers 1878 · Public Domain (22, 23) And the voice of harpers . .…
(22, 23) And the voice of harpers . . .—Better, the sound, . . The sounds of mirth and triumph, &c., cease: the sound of harpers, and musicians, and flute-players, and trumpeters, shall not be heard in thee ANY MORE: the power of wealth has gone; her own right hand has forgotten her cunning: every craftsman of every craft shall not be found in thee ANY MORE: the sound of grinding the corn is at an end: the sound of millstone shall not be heard in thee ANY MORE: the cheerful lamps of home and feast are extinguished: light of lamp shall not shine in thee ANY MORE: the sounds of domestic joy are silenced: voice of bridegroom and of bride shall not be heard in thee ANY MORE. The words are an echo of earlier prophecy: “I destroy from them the voice of mirth, and the voice of gladness, the voice of the bridegroom and the voice of the bride, the sound of the millstones, and the light of the candle.” It was thus Jeremiah warned Jerusalem of her coming doom (Jer_25:10). Now the same judgments are pronounced against the foe of the true Jerusalem.
A Bible Commentary for English Readers, edited by Charles John Ellicott (1878–1897) — public domain. Text from a community e-Sword module.
The Pulpit Commentary 1880 · Public Domain And the voice of harpers, and musicians, and of…
And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; harpers and minstrels and flute players, etc. (Revised Version). Cf. the description of the desolation of Tyre in Eze_26:13 and Isa_24:8. And no craftsman, of whatsoever craft he be, shall be found any more in thee. "Every craft" is omitted in a, A. (On the last phrase, see on ver. 21) And the sound of a millstone shall be heard no more at all in thee. This passage, together with the following verse, is founded on Jer_25:10.
The Pulpit Commentary (1880–1919), ed. H.D.M. Spence-Jones & Joseph S. Exell — public domain. Text from a community e-Sword module.
B. W. Johnson 1891 · Public Domain 22. And the voice of harpers. It is this…
22. And the voice of harpers. It is this third angel who declares the silence and desolation of the city now. And the sound of the millstone. In the mills grinding food for the people. The mills were hand-mills, usually worked by women as a domestic duty.
B. W. Johnson's The People's New Testament with Notes (1889–1891) — public domain. Electronic text from the Christian Classics Ethereal Library (CCEL) ThML edition.
C. I. Scofield 1917 · Public Domain Cf. Isa 24:8 contra, Rev 14:1-3.
voice
Cf. Isa 24:8 contra, Rev 14:1-3.
The Scofield Reference Bible (1917 edition), notes by C. I. Scofield — public domain. Text from a community e-Sword module.