He called the name of the first, Jemimah; and the name of the second, Keziah; and the name of the third, Keren Happuch.
Parallel Translations
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He called the name of the first, Jemimah; and the name of the second, Keziah; and the name of the third, Keren Happuch.
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And he called the name of the first, Jemima; and the name of the second, Kezia; and the name of the third, Keren-happuch.
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And he called the name of the first, Jemimah; and the name of the second, Keziah; and the name of the third, Keren-happuch.
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Explain this verse (14 sources)
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Geneva Bible translators 1599 · Public Domain That is, of long life, or beautiful as the…
That is, of long life, or beautiful as the day.
As pleasant as cassia or sweet spice.
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That is, the horn of beauty.
Geneva Bible (1599) marginal notes — public domain.
John Trapp 1656 · Public Domain Job 42:14 And he called the name of the…
Job 42:14 And he called the name of the first, Jemima; and the name of the second, Kezia; and the name of the third, Kerenhappuch.
Ver. 14. And he called the name of the first, Jemima] That is, day bright, from her oriental and glistering beauty; q.d. fair as the day (Diurno). Son 6:10, the Church is said to look forth as the morning, fair as the moon.
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And the name of the second, Kezia] That is, Cassia; a kind of spice, whereof there are three sorts, saith Dioscorides, but all very sweet, and send forth a most pleasant smell, like that of the rose. This second daughter therefore seems to be so named from the sweetness of her breath, or perhaps of her whole body, proceeding from the goodness of her constitution, as it is reported of Alexander the Great. So sweet smelling Smyrna, the best of all the seven Churches of Asia, Rev 2:8-11
And the name of the third, Keren-happuch] That is, the horn of beauty (better than that which is borrowed) and of abundance; as whose cheeks Nature had painted with a most pleasing vermillion, far beyond any artificial tincture, which she had no need of, Utpote omnes aliarmn fucos et veneres superans. Some interpret it the horn of conversion; and think that Job herein would express and memorize the strange turn and alteration of his condition, as Joseph did, Gen 41:51-52. But the Chaldee paraphrase, the Jewish doctors, and most of our expositors, are for the former interpretation, favoured also by the words following:
John Trapp, A Commentary or Exposition upon All the Books of the Old and New Testament (1647–1656) — public domain. Text from a community e-Sword module.
Matthew Poole 1685 · Public Domain Giving them such excellent names as signify their excellent…
Giving them such excellent names as signify their excellent beauty, of which see my Latin Synopsis.
Matthew Poole's English Annotations on the Holy Bible (1683–1685) — public domain. Text from a community e-Sword/MySword module.
John Gill 1763 · Public Domain And in all the land were no women found…
And in all the land were no women found so fair as the daughters of Job,.... Either in the whole world, which is not improbable: or it may be rather in the land or country in which they dwelt; and which may be gathered from their names, as before observed. The people of God, and children of Christ, the antitype of Job, are all fair, and there is no spot in them; a perfection of beauty, perfectly comely, through the comeliness of Christ put upon them, and are without spot or wrinkle, or any such thing;
and their father gave them inheritance among their brethren; which was done not on account of their beauty or virtue; nor is this observed so much to show the great riches of Job, that he could give his daughters as much as his sons, as his impartiality to his children, and his strict justice and equity in distributing his substance to them all alike, making no difference between male and female. And so in Christ, the antitype of Job, there is neither male nor female, no difference between them, Gal 3:28, but being all children, they are heirs, heirs of God and joint heirs with Christ, and equally partake of the same inheritance with the saints in light, Rom 8:17.
John Gill's Exposition of the Whole Bible (1746–1763) — public domain (CC PDM 1.0). Text via the HelloAO Bible API.
John Wesley 1765 · Public Domain Jemima - The day, either because of her eminent…
Jemima - The day, either because of her eminent beauty, or because she was born in the day of his prosperity, after a dark night of affliction. Kezia is the name of a spice of a very fragrant smell, commonly called Cassia. Keren-happuch signifies plenty restored.
John Wesley, Explanatory Notes Upon the Whole Bible (1754–1765) — public domain. Text via the GEBible commentary corpus.
Adam Clarke 1810 · Public Domain Verse 14. The name of the first Jemima] ימימה…
Verse 14. The name of the first Jemima] ימימה yemimah, days upon days.
Kezia] קציעה ketsiah, cassia, a well-known aromatic plant. And,
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Keren-happuch.] קרן הפוך keren happuch, the inverted or flowing horn, cornucopiae, the horn of plenty. The Chaldee will not permit these names to pass without a comment, to show the reason of their imposition: "He called the first Jemimah, because she was as fair as the day; the second Ketsiah, because she was as precious as cassia; the third Keren-happuch, because her face was as splendid as the emerald." Cardmarden's Bible, 1566, has the Hebrew names.
The Vulgate has, "He called the name of one Day, of the second Cassia, and of the third The Horn of Antimony."
The versions in general preserve these names, only the Septuagint, Syriac, and Arabic translate Jemimah, DAY; and the former for Keren-happuch has Αμαλθαιας κερας, the horn of Amalthea. This refers to an ancient fable. Amalthea was the nurse of Jupiter, and fed him with goat's milk when he was young. The goat having by accident her horn struck off, Jupiter translated the animal to the heavens, and gave her a place among the constellations, which she still holds; and made the horn the emblem of plenty: hence it is always pictured or described as filled with fruits, flowers, and the necessaries and luxuries of life. It is very strange how this fable got into the Septuagint.
Coverdale is singular: The first he called 'Daye', the seconde 'Poverte', the thirde, 'All plenteousnes'.
Adam Clarke's Commentary on the Bible (1810–1826) — public domain. Text from a community e-Sword/MySword module.
Joseph Benson 1811 · Public Domain Job 42:14. And he called the name of the…
Job 42:14. And he called the name of the first, Jemima — Which the LXX., and Vulgate, as derived from יום, jom, interpret day. The Targum is, Her beauty was like that of the day. The name of the second, Kezia — Because she was precious like cassia, says the Targum. The meaning probably is, Pleasant as cassia, or fine spices. And the name of the third, Keren- happuch — Which the LXX. render, Αμαλθαιας κερας, Amalthea’s horn, or, The horn of plenty. The Targum, however, says she was so called, because the brightness of her face was like that of an emerald. Hence some interpret the name, The horn, or child, of beauty.
Joseph Benson's Commentary on the Old and New Testaments (1811–1818) — public domain. Text from a community e-Sword module.
Albert Barnes 1834 · Public Domain And he called the name of the first, Jemima…
And he called the name of the first, Jemima - It is remarkable that in the former account of the family of Job, the names of none of his children are mentioned, and in this account the names of the daughters only are designated. “Why” the names of the daughters are here specified, is not intimated. They are significant, and they are “so” mentioned as to show that they contributed greatly to the happiness of Job on the return of his prosperity, and were among the chief blessings which gladdened his old age. The name Jemima (ימימה yemı̂ymâh) is rendered by the Vulgate “Diem,” and by the Septuagint, Ἡμέραν Hēmeran, “Day.” The Chaldee adds this remark: “He gave her the name Jemima, because her beauty was like the day.” The Vulgate, Septuagint, and Chaldee, evidently regarded the name as derived from יום yôm, “day,” and this is the most natural and obvious derivation. The name thus conferred would indicate that Job had now emerged from the “night” of affliction, and that returning light shone again on his tabernacle. It was usual in the earliest periods to bestow names because they were significant of returning prosperity (see Gen 4:25), or because they indicated hope of what would be in their time Gen 5:29, or because they were a pledge of some permanent tokens of the divine favor; see the notes at Isa 8:18. Thomas Roe remarks (“Travels,” 425), that among the Persians it is common to give names to their daughters derived from spices, unguents, pearls, and precious stones, or anything which is regarded as beautiful or valuable. See Rosenmuller, “Alte u. neue Morgenland,” No. 779.
And the name of the second Kezia - The name Kezia (קציעה qetsı̂y‛âh) means cassia, a bark resembling cinnamon, but less aromatic. “Gesenius.” It grew in Arabia, and was used as a perfume. The Chaldee paraphrasist explains this as meaning that he gave her this name because “she was as precious as cassia.” Cassia is mentioned in Psa 45:8. as among the precious perfumes. “All thy garments smell of myrrh, and aloes, and cassia.” The agreeableness or pleasantness of the perfume was the reason why the name was chosen to be given to a daughter.
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And the name of the third, Keren-happuch - Properly, “horn of stibium.” The “stibium” (פוך pûk), was a paint or dye made originally, it is supposed, from sea-weed, and afterward from antimony, with which females tinged their eye-lashes; see the notes at Isa 54:11. It was esteemed as an ornament of great beauty, chiefly because it served to make the eye appear larger. Large eyes are considered in the East as a mark of beauty, and the painting of black borders around them gives them an enlarged appearance. It is remarkable that this species of ornament was known so early as the time of Job, and this is one of the cases, constantly occurring in the East, showing that fashions there do not change. It is also remarkable that the fact of painting in this manner should have been considered so respectable as to be incorporated into the name of a daughter; and this shows that there was no attempt at “concealing” the habit. This also accords with the customs which prevail still in the East. With us, the materials and instruments of personal adorning are kept in the back-ground, but the Orientals obtrude them constantly on the attention, as objects adapted to suggest agreeable ideas. The “process” of painting the eye is described by a recent traveler to be this: “The eye is closed, and a small ebony rod smeared with the composition is squeezed between the lids so as to tinge the edges with the color. This is considered to add greatly to the brilliancy and power of the eye, and to deepen the effect of the long black eye-lashes of which the Orientals are proud. The same drug is employed on their eye-brows; used thus, it is intended to elongate, not to elevate the arc, so that the inner extremities are usually represented as meeting between the eyes. To Europeans the effect is at first seldom pleasing; but it soon becomes so.” The foregoing cuts give a representation of the vessels of stibium now in use.
Albert Barnes' Notes on the Bible (1834–1885) — public domain. Text from a community e-Sword/MySword module.
Haydock's Catholic Bible Commentary 1859 · Public Domain Dies, &c. "Day....cassia....and horn of antimony." (Hebrew) --- Yemima....Ketsiha....Keren…
Dies, &c. "Day....cassia....and horn of antimony." (Hebrew) --- Yemima....Ketsiha....Keren hapuc. This last may signify (Haydock) "horn of change," (Pagnin) in allusion to Job’s different states. (Menochius) (Du Hamel) --- Sometimes we find the Latin names retained, and at other times translated. It would perhaps be as well to give their force uniformly in English, or rather to insert the original terms, if they could be now properly expressed. But that is impossible. Protestants, Jemima, "handsome as the day." Kezia, "superficies, angle, or cassia." Keren-happuch, "the horn or child of beauty." The marginal explanations are given at least in the edition Edinb. 1787. (Haydock) --- Cassia, an aromatic herb, which is perhaps not now found to be found in Europe, Matthiol. in Dios. i. 12. --- The Arabs like to give such names to their children. (Spanheim, Hist. Job.) --- Cornustibii, (Hebrew Puc) means a sort of paint, used to blacken the eyelids, (4 Kings ix. 30.) or a precious stone, Isaias liv. 11. Chaldean, "brilliant as an emerald." She was so styled, on account of her great beauty, (Calmet) in which she was not inferior to her two sisters. Septuagint, "Horn of Amalthea," (Haydock) or of plenty, (Calmet) which is not an approbation of the fable, but to show the abundance which Job now enjoyed. (Nicetas.) --- Cassia might remind him of the bad smells to which he had been exposed. (Menochius) (Tirinus)
George Leo Haydock (1774–1849), Haydock's Catholic Family Bible and Commentary, 1859 edition — public domain. Excludes Psalms (Douay-Rheims chapter numbering differs from Protestant) and Deuterocanonical books (Catholic canon only).
Robert Jamieson, A. R. Fausset & David Brown 1871 · Public Domain Names significant of his restored prosperity (Gen 4:25; Gen…
Names significant of his restored prosperity (Gen 4:25; Gen 5:29).
Jemima--"daylight," after his "night" of calamity; but MAURER, "a dove."
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Kezia--"cassia," an aromatic herb (Psa 45:8), instead of his offensive breath and ulcers.
Keren-happuch--"horn of stibium," a paint with which females dyed their eyelids; in contrast to his "horn defiled in the dust" (Job 16:15). The names also imply the beauty of his daughters.
Jamieson, Fausset & Brown — Commentary Critical and Explanatory on the Whole Bible (1871) — public domain (CC PDM 1.0). Text via the HelloAO Bible API.
Daniel D. Whedon 1874 · Public Domain 14. And he called the name — The grace…
14. And he called the name — The grace and beauty of person of the three daughters are reflected in the descriptive names, given, not by the parent necessarily, but more probably by admiring friends. They were like the three graces of classic times. The subject of the word called is not defined. Sir Thomas Roe, the traveller, says of the Persians, “They call their women by the names of spices or odours, or of pearls or precious stones, or else by other names of pretty or pleasing signification.”
Jemima — (Sept., Day) was in former times supposed to be an Aramaic word. and to signify pure as daylight; but it is now regarded as kindred to the Arabic Jemaimat, which means a dove, and was given (so Delitzsch thinks) as a name “because of her dove’s eyes.” Compare Son_2:14; Son_5:2; Son_6:9.
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Kezia — (Sept., Casia) Cassia, or, fine as the fragrance of cassia, “as if woven out of the odor of cinnamon.” — Delitzsch. Comp. Psa_45:8; Son_1:3. This bark is something like cinnamon, but not so aromatic. Its Hebrew name, ketsiah, expresses the fact that it is stripped from the trees. Excessive fondness for perfumes is characteristic of the people of the East unto the present day. “The people of the Hedjaz, especially the ladies,” says Burckhardt, “steep rose-buds in water, which they afterward use for their ablutions.” — Arabia, 1:68.
Keren-happuch — (Septuagint, Amalthaea’s horn,) is literally a horn of paint — boxes of pigment in those days being, as is supposed, sometimes made of horn, or in the shape of a horn. Oriental ladies from very ancient times have painted their eyes, in order to produce an apparent enlargement of the eye, and to promote its brilliancy. The accompanying engraving is copied from the sarcophagus of Oimenepthah, and is supposed to represent an Egyptian goddess whose eyebrows and eyelids have been painted with a black dye.
To the bright and languishing expression thus produced the writer of the Proverbs (Pro_6:25) is supposed to refer when he says, “Neither let her [the wanton] take thee with her eyelids.” Horns containing pigment have been found in Egyptian sarcophagi, with silver, ivory, and wooden needles, and minute brushes for applying the cosmetic to the eye. The Assyrian monuments also give evidence of the prevalence of the same custom. The art, in later times, became meretricious, as may be seen in 2Ki_9:30, (margin;) Jer_4:30; Eze_23:40. The Prophet Isaiah (Isa_54:11) makes the colouring matter (stibium, Hebrews pouk,) used in painting the eye the ground of an exquisite figure — the very cement of the stones which compose the new Jerusalem, he prophesies, shall be stibium, thus intimating that, as with the human eye artificially decorated, the beauty of these stones shall stand forth in greater splendour because of the dark background in which they also are set. The name of Keren-happuch, says Hengstenberg, is an irony upon the use of cosmetics. See further in RUSSELL’S History of Aleppo, i, pp. 111, 366.
Daniel D. Whedon (gen. ed.), Commentary on the Old and New Testaments (1874–1909) — public domain. Text from a community e-Sword module.
Ellicott's Commentary for English Readers 1878 · Public Domain (14) Jemima.—This name perhaps means as fair as the…
(14) Jemima.—This name perhaps means as fair as the day.
Kezia—i.e., cassia, an aromatic bark, much prized by the ancients. (See Psa_45:9.)
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Kerenhappuch—i.e., the horn for containing kohl for the eyes. The Eastern women are in the habit of painting the upper part of the eyelids with stibium, so that a black edge is formed about them and they seem larger. (See 2Ki_9:30; Jer_4:30.) The meaning of this name is the paint-box for this purpose.
A Bible Commentary for English Readers, edited by Charles John Ellicott (1878–1897) — public domain. Text from a community e-Sword module.
The Pulpit Commentary 1880 · Public Domain And he called the name of the first, Jemima.…
And he called the name of the first, Jemima. The name "Jemima" is probably derived from yom ( "day," and means "Fair as the day." And the name of the second, Kesia. "Kezia" (rather, "Keziah") was the Hebrew name of the spice which the Greeks and Romans called "cassia," a spice closely allied to cinnamon, and much esteemed in the East (see Herod., 3:110). And the name of the third, Keren-happuch; literally, horn of stibium stibium being the dye (antimony) with which Oriental women have from a remote antiquity been in the habit of anointing the upper and lower eyelids in order to give lustre to the eye (compare the "Pulpit Commentary" on the "Second Book of Kings," p. 194). The three names, according to Oriental notions, implied either sweetness or beauty.
The Pulpit Commentary (1880–1919), ed. H.D.M. Spence-Jones & Joseph S. Exell — public domain. Text from a community e-Sword module.
Tyndale Open Study Notes 2022 · CC BY-SA 4.0 42:14 The beautiful names of Job’s new daughters spoke…
42:14 The beautiful names of Job’s new daughters spoke of Job’s renewed and pleasant good fortunes. • Jemimah means “dove” (see Song 2:14). • Keziah means “cassia” or “cinnamon flower” (see Ps 45:8). • Keren-happuch means “horn of antimony,” which refers to a lustrous container for cosmetics.
Tyndale Open Study Notes — © Tyndale Open Resources, licensed CC BY-SA 4.0. Text via the HelloAO Bible API.